If he had known this would be 10 years’ work, he would’ve made a model and looked at it from different angles to get the coach consistent. A more organized artist would have made a little model. Sometimes they tend to be driving a different coach from one panel to the next. Not redraw the whole thing, but in 30 years, there have been so many things I look at and think, “that’s a mistake.” Like what coach they’re driving. I thought I’d love to go back to From Hell and do it over again. I can get a rich palette of color on the computer. I can take a cross-hatched blue sky, and make the cross-hatch blue, and then put a different blue behind it, so it’s a rich blue and not just blue with black all over it. But with the computer, I can take what used to be black ink and make it red. If you’re just coloring something in, you can’t turn something from black into red, you can only make it a reddish-black. ENTERTAINMENT WEEKLY: What’s your process been like, as you color and update From Hell?ĮDDIE CAMPBELL: I never thought it could be done before because putting colored inks on top of black-and-white artwork can only make it darker and more oppressive.
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